A multi-interface hot shoe up on top supports external flashes and other add-ons, including Sony’s nifty digital microphones. There’s no pop-up flash either, which probably won’t be missed by too many people. And, for my money, the only real casualty of this downsizing is the slightly poky viewfinder, which feels squeezed by the new rangefinder-style shape. While that’s a little bulkier than the average APS-C mirrorless camera, it’s tiny by full-frame standards. Without a lens attached, the A7C weighs a shade over 500g and measures a trim 124 x 71.1 x 59.7mm. ![]() The physical control count on the Sony A7C is kept lean.The camera is weather-sealed and sturdy.The Sony A7C is tiny by full-frame standards.Sony A7C build quality and handling – Lean and mean, it’s perfect for outdoor shooting But let’s take a closer look before coming to any conclusions and see if this deserves a spot in our best camera round up. On paper, it seems like a win-win solution, especially since it comes in at the cheaper (relatively speaking, of course) end for A7 series cameras. ![]() It comes with 5-axis in-body image stabilisation, an OLED viewfinder and a multi-angle touchscreen, plus it uses the same impressive hybrid autofocus setup as other recent A7-series models. The A7C can record 4K video at up to 30fps, 1080p video at up to 120fps and shoot stills at up to 10fps. It’s more akin to an APS-C model for portability – and, at first glance, Sony doesn’t appear to have sacrificed a great deal to get there. ![]() It’s the smallest and lightest interchangeable lens full-frame camera around. The Sony A7C, the range’s latest addition, changes all that. Sony’s A7 line of mirrorless E-mount cameras has long been a popular choice for those seeking the benefits of a full-frame sensor, but one of the main trade-offs for that has always been portability: full-frame sensors are bigger, so full-frame cameras have to be bigger than cameras with smaller APS-C sensors.
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